Thumbs way up for Frost/Nixon: Ron Howard director, Frank Langella as Nixon, and Michael Sheen taking on David Frost’s role.  fresh from his work in The Queen as Tony Blair. I had a good feeling about this piece and beieved that under the direction of Ron Howard it would come to life for me, where the play just didn’t.  I know it was a big hit on stage and I love plays, but I needed to feel the world of these interviews, the closeups on Nixon as we arrive at the last interview and Frank Langella’s remarkable creation of Nixon’s human tragedy.

I hated Nixon.  I didn’ t want to feel sorry for him and Langella forced me to look at the man behind his horrible leadership.  It’s been hard for most of my life to be a passionate Democrat with all these winning Republicans.  Nixon was the bane of my existence through my college years and even though I worked hard for my Democratic candidates there was Tricky.

I was thrilled to watch him pack his bags and leave the White house in disgrace, and given all that, I let myself feel sorry for Nixon the man after all these years.

I hope the Frank Langella is honored for his work; for this piece and for a wonderful movie from last year, Starting Over in the Night.

Golden Globes, Oscars…can’t wait.

So here goes:

:

1. Gran Torino starring Clint Eastwood and Chris Carley.  How often can you see a movie with a big star like Clint, working across from someone you’ve known and worked with from the time he was 14. That’s 16 YEARS!  I’m teacher proud and it’s a very good movie on its own merits, but in this season of movie glut it becomes one more of the many good movies to see.  It’s great marketing to feature Clint,  looking very much like his Dirty Harry of old, but it’s much more than that, thank God. Lots of people will come for Clint and get a good dose of Chris as the priest.

I’m still thinking about the issues of race it raises. I hope Obama is really ready to take on race in America.

2. I’ve Loved You So Long  &  3. Tell No One

Both of these movies are in French. Both feature Kristen Scott Thomas, who rose to stardom in The English Patient, (the first movie I saw with Tuvia) and then found  movies that stretched her as an actor. She is the central character in I’ve Loved You… and we get to know her well as the piece unfolds slowly, authentically.  She has been in prison for 16 years for murder of her 6-year-old son and  her younger sister accepts responsibility for her. She opens her heart and home filled with her husband, young daughter and stroke-silenced father-in-law.  It isn’t an easy adjustment for anyone, but oh so worth the time it takes to get to know each character and slowly Kristen’s story unfolds  as she comes back to life.  It’s getting award nominations and  Oscar buzz for Kristen and hopefully it will move to more theaters.  We saw it in one of our cinemas.

Tell No One is a French thriller that holds you captive for 2 hours and 5 minutes and you savor every moment. A young doctor is visiting his childhood summer place with his lovely, loving wife. They visit the lake they remember as children. They undress, swim and nap, wrapped together on a platform. It’s turning dark. She returns to shore. He lingers. She screams. He is knocked unconscious and falls into the lake. Eight years later a widower and lost without his wife, he receives an email from her: I am alive but Tell No One, they are watching.

In this piece Kristen has a great supporting role as the loyal, loving friend and she’s wonderful once again.

4.. The Visitor

Richard Jenkins, remembered for his recurring ghostly role in Six Feet Under, a popular HBO series, takes us on his unexpected journey that ends his widower’s life of sleepwalking.

Reluctantly he returns to his New York City apartment filled with lingering memories of his married past. Requested by his university department chair to present a paper he supposedly wrote with a colleague he agrees. As he opens the apartment door, he enters into the unexpected: fresh cut flowers on the dresser and a young, beautiful Nigerian woman in his bath tub. Zainab (Danai Gurira), and her boyfriend Tarek (Haaz Sleiman), immigrants from Senegal and Syria, are uninvited guests, unknowingly being exploited as illegals. Realizing that Walter is the rightful owner and dreading the law, they pack and leave with all their belongings. Quickly, Walter reconsiders and invites them back. Tarek, vibrant and alive, warms to Walter immediately and at the end of a conference day, he returns to his apartment and unexpectedly finds Tarek practicing on his drums. Walter, fascinated, hesitantly accepts Tarek’s invitation to drum along. Walter enters Tarek’s world and when Tarek is in danger, Walter steps up to this new friendship.

The Visitor concludes with questions raised about how we treat immigrants post 9/11. Walter is back in the world and we wonder what will happen next.

A small movie, it did get some serious play in many theaters and it’s too bad it isn’t remembered now by those voting for the annual movie awards. Oh well, I’m smiling and I remember it.

5.. Vicky, Christina, Barcelona

What an absolutely sexy, romantic romp of a movie in the golden Gaudi city of Barcelona. Wine for everyone and Javier Bardem for….me!

Woody scored with this one. From start to finish I was loving the experience, grabbing Tuvia’s hand every chance I could get. It took me back to a time when I salivated for another Woody Allen masterpiece: Annie Hall, Manahattan (my all-time favorite) Hannah and her Sisters…on and on and then lots of films that left me unsatisfied, remembering the past. And then I stopped going until Matchpoint and the one after that and still I walked out with Tuvia feeling cheated, not getting it.

But this one, I got! Two young American women accept a golden invitation to spend their summer in Barcelona. The dark-haired, serious, down-to-earth Vicky  (Rebecca Hall) is engaged to a serious, safe and dependable guy back home. Christina (Scarlett Johansson) is still searching for adventure and passionate love. Juan Antonio,(Javier) a successful and colorful artist, likes both women and invites them to join him for a weekend of adventure and great sex. Christina accepts, Vicky comes along reluctantly. Both sparkle with Javier.

The movie moves along in its golds and earthy tones and when we least expect another surprise, surprise, Penelope Cruz arrives, as Juan’s ex-wife, Maria Elena and then Vicky’s preppy fiance joins the group to soak up the romance of the city and marry his Vicky there before their fancy formal event back home.

And the plot thickens as Woody keeps us guessing.

6. Elegy

is another kudos for Penelope Cruz,where she is paired with Ben Kingsley. Based on a Philip Roth novel, maybe more auto-biographical, Ben Kingsley is a successful professor, author, interviewer, man-about-town, lover of the ladies. He is aging and is beginning to feel it. Penelope Cruz walks into his class and he is stricken and doesn’t realize just what this relationship has to offer him.

So far, you might be ho-humming this account, but remember, it’s Ben Kingsley working with Penelope Cruz and they transform a potentially cliched younger woman-older man affair into something that might leave you sobbing, tearing into the depths of your heart. Both Tuvia and I felt the authenticity of this piece and it still  lingers. I hope others remember Penelope’s work in both pieces when Oscars are considered.

7.Rachel’s Getting Married

Rachel is Getting Married is a small movie.  Most of it takes place in a  big old farm house and Jonathan Deme probably had with a much smaller budget than some of his BIG flicks.

But this authentic movie took over every spot in my mind  held weakly by Nicole and Hugh and big Australia.  This “simple” story and its very layered characters  held my attention. I want to remember Rachel in all it’s human sadness and self-preservation.

Great to see Debra Winger romp through her juicy moments as the modern mom and what a great piece of acting from the young Anne Hathaway.  I’d like to see both actors on the Oscar scene for ‘09.

8. Man On Wire

On August 7 (my birthday) 1975, wire walker, Philippe Petite strolled across the newly built Twin Towers.

I don’t remember where I was celebrating my own big day and I don’t remember anything about this daring and gorgeous act, but I will never forget reliving this moment as I watched this riveting documentary, directed by James Marsh,  even with the shadow of 9/11 looming close once again.

A rag-tag group of young French and American 20 somethings planned and orchestrated, with their passion and the ’70’s spirit of adventure, Philippe’s walk across the Towers. A covert operation, under cover of night, draws a sharp contrast with the motivations of 9/11. How life has changed from the innocence of the 70’s.

Petite is the center of Man on Wire, as he shares his memories of his daring feat. He speaks with articulate animation that is as riveting as his walk. How smart he was to document his wire walker experiences. He has stills, video of his childhood, his early days on his home made wires and the romance that he brought to his passion that he shared with his circle of friends. His passion became theirs and that’s all documented.

What’s brilliant about the work of the film’s director, is his ability to put it all together weaving interviews from Petite’s group, merging the past and present reflections.

I was immersed in this piece, realizing that the documentary genre has become my own creative passion. I have great challenges ahead: an SI piece is in the making, a wedding this weekend.

This is a film to own and study.

9. Fugitive Pieces

Fugitive Pieces, The title felt familiar. As I read the blurb about a young Jewish boy who watches his parents murdered and his older sister taken by Nazi soldiers, he runs away and is found and saved by a Greek archaeologist who smuggles him out of Poland and on to a boat sailing for his home in Greece. It felt even more familiar.

As we sat, waiting for the movie, drinking coffee, it came back: a novel of prose and poetry, fugitive pieces of a guilt-ridden survivor. I read this book with my club I remembered how we all lingered with it.

The movie offered the fracturing of Jacob’s life and we had to follow it. It was authentic and painful and poetic in its narration. It made me ache with emotion. The novel made me ache. I remember.

Exquisite in its suffering and its salvation.

10. A Secret

Un Secret ( A Secret) took us back to WW II again.  The focus was on Jews living in Paris during the war but it was less about the horrors of victims and more about the horrors of the living back home. The story, based on an autobiography written by Philippe Grimbert is told through the voice of a son, François, who in 1955, when the film opens, is 7-years-old a frail, which is hard on his father, who is passionate about his physical fitness and his mom who was once an Olympic swimmer.

As we moved deeper into this film’s world we move around in three time periods and sometimes that’s confusing.  We begin in 1955, then up to 1985, when Francois is a grown man with a profession, a family and his aging parents. The director films this present in black and white.  But he throws us a curve when he moves back in time to 1936 where a family secret is born in the midst of the Holocaust and Jewish persecution.  It is the young Francois who learns about the secret when he becomes a teenager and the epilogue of film takes us full circle.

This is more a story about the lives of Jews who were able to survive the horrors of the camps by hiding across the border.  And even though they are Jews, living in Paris in 1936, their lives are not just about the Nazis.  They continue to live and deal with relationships. It is the young Francois who learns about the secret when he becomes a teenager and the epilogue of film takes us full circle.

This is an important film that moves us beyond the more typical issues of the Holocaust.

11. Then She Found Me

After watching a few interviews with Helen Hunt and listening to a few interesting reviews, Tuvia and I leapt for Then She Found Me and thumbs way up there from both of us.

Helen Hunt has been on hiatus, and I haven’t missed her but she has returned with a vengeance of passion to tell this story as a co-writer of Elinor Lipman’s novel, director and star of this unusual movie with lots of donated star power: Colin Firth, Matthew Broderick, Bette Midler and even Salman Rushdie.

No one in this movie looks Hollywood-style glamorous. Helen( April Epner) is a 39-year-old-teacher, freshly married to her good friend Matt. She is desperate to be a mother. Teaching young children just isn’t enough. Adopting isn’t an option either, an adoptee herself. She wants her own child and it doesn’t help her campaign, when after a year, Matthew declares that he is not happy with his life and leaves her. Helen looks beaten down, thin, exhausted. Colin is sloppy and Matthew is a putz. Well,Bette is her bouncy self and Salman is a convincing gynecologist.

I don’t think that sharing more of the plot will move you any closer to seeing this one. Just take a leap of faith and you could be left as the credits roll, glad you did.

12. Iron Man

I watched a few Robert Downey Jr. interviews as he hyped the movie.  He was he usual cool self, honest in an outrageous way.   He was driven to play Tony Stark and convinced everyone that he was the only choice.  As the revenues  poured in, everyone was giddy with financial success: $100 million, $200, more.

It was nice to have him back  along with Gwyneth Paltrow  and a bit part for Terrance Howard.  Jeff Bridges shaved his head to play the heavy, but everyone watched Robert D’s every brilliant, human move. Can’t wait for his next challenge.

And there’s more:

13. Doubt

I never got to the play version of this new holiday movie, but finally, I got to see and love the power of great characters with a great ensemble cast to take it on. Meryl is in top form and just looking at the photo says everything about her total commitment to serving the play and the character. A master. And then there’s smiling Philip Seymour Hoffman and an innocent Amy Adams.  I think the story could move into the issues this pieces raises but thumbs up for this trio!

14. Slumdog Millionaire

Tuvia didn’t get this one, but he did wait patiently for it to end respecting my love for its every minute.  What a wonderful surprise hit-The Little Engine that Could.  If Gran Torino doesn’t make its way into the Oscar mix, I will be rooting for this one for Best movie of the year!  Creative in it’s plot as the story unfolds, it’s not a fantasy piece,  but it is romantic in its core. We see the 98% side of the Indian population here and root for the “good” boy who puts everything on the line for his true love.

YES WE CAN!!!!

15. The Reader

Sorry Kate Winslet, you should never be listed at the bottom of any list of movies, even if this one is in no particular order.  I will move you up closer to the top, when I get a chance, but now I’m racing to be done with this post.  Seems like I’ve been writing it for weeks.

So The Reader. I read the book about two years ago with my book buddies and we all loved it, but time passes and I forgot the details and just how powerful the book really was.  The movie is wonderful, with Kate as its center and she was probably my young Meryl Streep favorite. She disappears into this role and while movies come and go for us, we lingered with this one, talking about it at the diner, when the lights were turned off,  on car rides.  And Tuvia took the novel down from its home on the self and read it from cover to cover, searching for answers to questions the movie doesn’t resolve and it should have.

The acting is terrific and the story is powerful but there are gaps here and they should not have been left to our imagination.

16. Changeling

Clint Eastwood directed Angelina Jolie in this piece just before he began working on Gran Torino. One powerful flim after the next.  What a great force and to think, I used to hate his Dirty Harry phase.

Angelina and Brad are creating a unique family worthy of a model UN, they support the rebuilding of  New Orleans and they make creative movies and Angelina is a powerful force in any flim project she takes on.  I don’t remember the movie as vividly as I remember her, her eyes, her character’s stamina.  I’m sitting here remembering as I write and wonder why it didn’t do better at the box office and with reviewers.  Oh well, it worked for me.

Okay, I’m done for now.  I still have to see:

Frost/Nixon, Benjamin Button and more, so I’ll be back with more movies…

Enjoy the New Year with a movie.  There’s lots to see.

Quantum of Solace was our flick pick on Friday night. At the Garden State Plaza there’s usually not too much to choose from. There’s no foreign films, maybe an Indie or two but they usually offer what’s “safe”.

I, like many moviegoers have a history with James Bond. So if there’s a new one, I have to see it. Tuvia probably could have let it go, but he loves movies and me, and it was opening night and the place was packed

According to Gene Shalit on the Today Show, this was the worst Bond film he’d ever seen and he scored it a C. A C! I kept this review to myself.

I like Daniel Craig as the new Bond. He’s attractive and effective in his dead pan approach to Bond and Dame Judy Dench is once again a great female M and the latest villain, Frenchman Mathieu Amalric (star of “The Diving Bell and the Butterfly”) is also a good actor, familiar to movie goers in more demanding roles recently, The Diving Bell and the Butterfly and The Secret.

But the film was a roller coaster ride. The chase scenes(one after the other) were loud and in-your-face and while we were taken from one gorgeous spot to the next, it was only to watch Bond on the run.

Tuvia was bored, the small boy who was dragged along by his parents right in front of us, was very bored and I kept remembering better days with Sean Connery.

But I’m sure I will return for more Bond no matter how convincing Gene might be in his warning

And then there was last night.

In the middle of a torrential downpour and a short power outage, we had a Netflicks pick still to watch, God Must be Tired of Us, This 2003 documentary traces the lives of the some of the lost boys of the Sudan and you can be sure, this viewing experience did not leave us shrugging our shoulders.

The orphaned children from the Sudan had escaped the civil wars of the 80’s and 90’s. Forced to leave their families and country, 27,00 children marched thousands of miles across deserts with little food or water. First they arrived and lived in refugee camps on the Ethiopian border but when the government was forced out of power the boys had to resume their march to another camp located in Kenya, where they lived out most of their childhood.

The United States finally offered some of the 27,000 children hope welcoming immigrants in need. We follow three boys as they reluctantly leave their friends behind and accept this once-in-a-lifetime offer of freedom.

But nothing comes without strings attached. Upon arrival to our shores the initial group is separated and sent to a variety of places and so from the start their bonds of friendship are broken.

They are given apartments, food and some support to get adjusted to this new world. Just three months to adjust and then they have to work, and begin to pay back their plane tickets. There’s no talk of education, although some boys are aggressive enough to seek it out.

There is nothing of James Bond here, just real life and we welcomed it.

If you haven’t seen God Must be Tired of Us, Tuvia and I are both screaming: SEE IT!!!!!!!!!!

Can you hear us?

Bonnie

I encouraged my 8th graders to read it and meet a small group and their moms met with me after school for a book share.  We all wrote about it and shared its power.  As 9th graders they would be reading Mockingbird and I’m sure this first experience was an amazing way to move back in time and make necessary historical connections.

Given all that personal and professional connection with Bees, it was understandable that I didn’t run to see this movie version.  The reviews were good, not great. I had hoped for great as a testament to the book.  Yesterday there was just nothing else in the Paramus area to see and we needed to get out of the house for a weekend movie, so I pushed for Bees.  Tuvia hadn’t read the book so that was a good thing.  He came to it tabula rasa.

It began strong: South Carolina, 1964, 14-year-old Lily lives with her cold father and is haunted by the vague memory when she accidentally  killed her mother when she was four as a gun found its way into her hands when her mother prepared to leave her father and was caught by him preparing to leave.  Lily, unlike her mother does successfully run away with her long-time caregiver Rosealeen( Jennifer Hudson) and travels to a town mentioned in her mother’s papers.

Everything was going great for me until Lily is ushered into the home of the Boatwright sisters and the center of the family, August( Queen Latifah) appears and sad to say for me the Queen is just  not enough for this larger-than-life character.  From the moment she speaks, I don’t believe her and  I spent a large part of the movie wondering who might have satisfied me here: Oprah, Whoopie Goldberg, possibly Angela Basset.

I like the Queen very much but I think the casting was off here and while the rest of the cast was up to the challenges of their characters, we need an August with more grit and charisma.

But it was still good. Tuvia, without the book to weigh him down, was glad we saw it.

And of course, there was something else to consider.  I thought about all the Americans who were denied equality in America in 1964 and now we have a brand new  president who rests on their shoulders. I have Jessie Jackson’s face of tears during Obama’s acceptance speech on Tuesday night imprinted in my memory banks forever.

A great book to read.  A good movie to see.  Not a bad combination.

Some would say this is a guy movie and yes, there were lots of guys in the audience. I was there because I picked last night’s film and it was Tuvia’s turn tonight. We’ve seen the previews for this film and we both love Edward Norton movies, so even though the violence just in the trailer seemed beyond my threshold, I had my coat to shield me when it got too hard to watch and I did need to use it.

But the story was absorbing and Edward Norton offered a very complex character, haunted by ghosts but ready to accept an uncomfortable request from his father, John Voight How could he say no to that dad, who heads an Irish family of cops? John, Edward, his brother, a brother-in-law. All cops in the same squad. And there’s corruption to deal with, ugly cops.

Colin Farrell plays nicely as Ed’s foil but he is extremely violent.

As the movie came to a satisfying conclusion I couldn’t wait to get home and as Tuvia put together a dinner, I showered off the grim of arrogance.

I think Oliver Stone got this presidential film right on the money, but why release it now? Will it make any difference to anyone? The kids were lined up tonight for High School Movie # 3 and and Saw 2, in preparation for Halloween next week.

We were not alone on a Friday afternoon for W,, but the audience looked more like us, people who probably never voted for any candidate named Bush.

The reviews for this film have been mixed. Acting great, but so what? I agree, great acting: Josh Brolin burrows into W and we see only George.  Dick Cheney (Richard Dreyfuss) is oily and strategic, Karl Rove (Toby Jones) is W’s right arm. Of course  there’s loving Laura (Elizabeth Banks),”Poppy” Bush (James Cromwell). and tragic Colin Powell (Jeffrey Wright), presented as the lone and barely tolerated  voice of reason and history.

It’s a well-crafted movie,with the inner story of Bush as president and the outer story of the Bush rise from rich preppy to the White House.

What makes this one hard to watch, is that it isn’t fiction and we are still living through George Bush who like Sarah Palin, are just not up to the office. W should have taken his father’s advice and stayed in Texas running his baseball team, the only job he did well. Too bad we are and will continue to pay the price even if Obama gets his chance.

What does the last eight years say about us as voters and US citizens?

Here are the latest four movies that appear to have nothing in common: a love story, a Spike Lee Joint taking us to World War II , a Western directed by and starring Ed Harris and a Holocaust piece set in Paris.

I selected each one with Tuvia’s green light. Three of the four are now showing at your local mall. Probably the most powerful piece is the one found at the Jacob Burns Cinema,Un Secret, from France with subtitles.

We began last weekend with a no brainer, Nights at Rodanthe, starring Richard Gere and Diane Lane. Bring a box of tissues.

I held onto Tuvia’s arm and we quickly allowed ourselves to be sucked into the screen reality. Richard Gere, a famous surgeon, workaholic who sacrificed his family life for the next patient, meets up with Diane Lane who has a few kids, a husband who left and now wants to come home. Thrown together for a weekend at a B & B…well you know the rest.

Probably in the hands of lessor actors and without George C. Wolfe directing, it would have been without authenticity, but Diane and Richard are gorgeous and serious actors and we are willing to let them take us along on their journey. We left satisfied.

But like all lovely movies, this one came and went as we moved back into our lives and the latest news about our economic woes and a Sarah Palin blunder.

A Western came next, Appaloosa. Good reviews and attractive with Ed Harris working on both sides of the camera. Powerful cast with Jeremy Irons as the heavy, Renée Zellweger as the love interest and Vitgo Morgensen as the best friend and partner.

Ed and Vitgo travel the country, offering law to the lawless western towns. Lots of guns and horses and an authentic sense of the vastness of our country in the days without cars, the internet, cell phones, tv’s and all the rest.

It was a good one but I don’t remember much about it a weak later, except for the face of Ed. He’s my man.

Movie #3 Miracle at St. Anna, Spike Lee directing with a cast of powerful young black actors and lots of great faces in the crowd of an Italian town during WW II.

I will see every Spike Lee Joint. I remember his early film, She’s Gotta Have It. It was one of his early ones and is no longer proud of it, but I was wowed by it, by creativity and its gorgeous love for NYC. As a lover of the image, Spike held me in the palm of his hand and continues to do the same as we both age and mature in this dynamic world.

Now, he takes a more conventional route to tell this story of the Buffalo Soldiers, the Black regiment in the American army, an experiment. Blacks in the US Army, an experiment? How soon we forget but Spike doesn’t and I’m glad he keeps pushing us to remember.

This movie centers around a small band of the group who are isolated from their larger squad and find their way to a small Italian town in Tuscany that’s waiting to be liberated by the Americans, but even though the Nazis are losing the war, they have not yet given up.

We see their continued lack of humanity here as they work to destroy the Italian Partisans at any cost to the innocent villagers.

Our band of four offer us a lot to think about as they deal with each other, the people they meet along the way and their own views about life back home.

Spike had a lot of share with us as he works hard to do justice to James McBride’s novel, and sometimes there’s just too much to stay focused with. I would have liked more time with our Buffalo Band. Tuvia left the movie with me. I took it home and he left it at the door.

And it’s interesting that our last movie of the weekend (yesterday) Un Secret ( A Secret) took us back to WW II. The focus was on Jews living in Paris during the war but it was less about the horrors of victims and more about the horrors of the living back home. The story, based on an autobiography written by Philippe Grimbert is told through the voice of a son, François, who in 1955, when the film opens, is 7-years-old a frail, which is hard on his father, who is passionate about his physical fitness and his mom who was once an Olympic swimmer.

As we move deeper into this film’s world we move around in three time periods and sometimes that’s confusing.  We begin in 1955, then up to 1985, when Francois is a grown man with a profession, a family and his aging parents. The director films this present in black and white.  But he throws us a curve when he moves back in time to 1936 where a family secret is born in the midst of the Holocaust and Jewish persecution.  It is the young Francois who learns about the secret when he becomes a teenager and the epilogue of film takes us full circle.

This is more a story about the lives of Jews who were able to survive the horrors of the camps by hiding across the border.  And even though they are Jews, living in Paris in 1936, their lives are not just about the Nazis.  They continue to live and deal with relationships. It is the young Francois who learns about the secret when he becomes a teenager and the epilogue of film takes us full circle.

It’s not a perfect gem of a movie but I think while the other three will fade from my memory banks, this one will not.

Thumbs up for all 4!

Man on Wire

On August 7 (my birthday) 1975, wire walker, Philippe Petite walked across the newly built Twin Towers.

I don’t remember where I was celebrating my own big day and I don’t remember anything about this daring and gorgeous act, but I will never forget reliving this moment as I watched this riveting documentary, directed by James Marsh, with the shadow of 9/11 looming close once again.

A rag-tag group of young French and American 20 somethings planned and orchestrated, with their passion and the ’70’s spirit of adventure, Philippe’s walk across the Towers. A covert operation, under cover of night, draws a sharp contrast with the motivations of 9/11. How life has changed from the innocence of the 70’s.

The reviews for this film have been wonderful and even though Tuvia was only mildly interested he was game to join me at the small Tenafly theater, now showing 4 great flicks: Woody’s latest, Tell No One, Elegy and Man. Now that would make a great way to spend a Saturday-moving from one film to the next with a few trips to the bathroom and a few buckets of popcorn. But that was another life.

Petite is the center of Man on Wire, as he shares his memories of his daring feat. He speaks with articulate animation that is as riveting as his walk. How smart he was to document his wire walker experiences. He has stills, video of his childhood, his early days on his home made wires and the romance that he brought to his passion that he shared with his circle of friends. His passion became theirs and that’s all documented.

What’s brilliant about the work of the film’s director, is his ability to put it all together weaving interviews from Petit’s group, merging the past and present reflections.

I was immersed in this piece, realizing that the documentary genre has become my own creative passion. I have great challenges ahead: an SI piece is in the making, a wedding this weekend.

This is a film to own and study.

Wonderful!

Labor Day Weekend and of course we find ourselves in dark movie theaters. Last night we hit the road for Traitor, after getting a stamp of approval from Jeffrey Lyons and reading a few short pieces on Rotten Tomatoes. With Don Cheadle, center stage and the focus of the movie on terrorism we are drawn to it.

After a lovely walk in nature, an early salmon dinner we were ready for engaging entertainment.

Don Cheadle, plays Samir Horn, born in Sudan, and at 12 watched his devoutly religious father die in a car bombing, forcing his mother to flee to Chicago and raise her son in an inner-city housing project. Thirty years later, Samir, well trained in explosives by the United States Army and living in the Middle East, seems to be working with terrorists and that’s where we begin.

From start to finish we are engaged, honestly it was too real and too tense for me. I wavered often, ready to blot the theater for a nearby Borders for some peaceful reading but Tuvia would have followed me and I knew he was engaged differently. For me it was all too real, the way I find the popular Showtime series, Sleeper Cell. Too realistic. They strike the chords of my deepest fears about terrorism.

If you can sit still, this movie is really well done. Don Cheadle is supported by wonderful characters on both sides of the political spectrum: a loyal terrorist “brother” and a few bright and perceptive FBI agents (Guy Pearce and Jeff Daniels).  And surprise, surprise, written by Steven Martin. Yes that Steve Martin.

Even though we watched in a full theater, I wonder how many people will actually get to see this flick. I hope, A LOT!

Powerful! What’s next on our Labor Day movie list?

Bonnie

Movie UPdates:

Looks like Vicky Christina Barcelona and Tell No One are doing well.  Both can be found at the local movie theater in Ridgewood, NJ.

Tuvia and I  were wowed by Penelope Cruz last week in the new Woody Allen movie and once again in, Elegy, where she is paired with Ben Kingsley. Based on a Philip Roth novel, maybe more auto-biographical, Ben Kingsley is a successful professor, author, interviewer, man-about-town, lover of the ladies. He is aging and is beginning to feel it. Penelope Cruz walks into his class and he is stricken and doesn’t realize just what this relationship has to offer him.

So far, you might be ho-humming this account, but remember, it’s Ben Kingsley working with Penelope Cruz and they transform a potentially cliched younger woman-older man affair into something that might leave you sobbing, tearing into the depths of your heart. Both Tuvia and I felt the authenticity of this piece. I don’t want to say too much, actually I can’t. I’m digesting.

This is a movie that will linger, and we will share it together when we turn the lights out tonight.

It’s really a masterpiece. Don’t pass it up!